Tuesday 22 March 2011

Simonetta Vespucci

Simonetta Cattaneo de Vespucci, wife of Mario Vespucci(who was the cousin of Amerigo Vespucci the explorer), lover of Giuliano de Medici, and Muse not only of Sandro Botticelli, but also of Piero de Cosimo.


Portrait of Simonetta Vespucci - Piero de Cosimo

So beloved was she of pretty much every man in Florence, where she moved in 1470 after her marriage aged 15 to the aforementioned Marco, that supposedly no less than 50 men would crowd outside her window every morning in the hope of catching a glimpse of her.


Scene from the life of Moses (Sistine Chapel Fresco)- Sandro Botticelli

Such was her appeal that Guiliano de Medici, of the famously powerful mercantile family of Florence, jousted for her under a banner, painted by Botticelli, which portrayed her as Athena, with the words "She without parallel" embroidered beneath it.


Portrait of Simonetta Vespucci - Sandro Botticelli

She died aged only 22 from tuberculosis, but works of art continued to use her as their muse for the following 50 years as her memory lived on in the artists of the day. Botticelli, it is hypothesised, was deeply in love with her, as many of his paintings contain features similar to hers, and he requested to be buried at her feet in the church of the Ognissanti in Florence.


Portrait of A Young Woman - Sandro Botticelli


The Death of Procris - Piero de Cosimo

And finally, the question that has teased many art historians, is this based on her?

Wednesday 16 March 2011

Age of Empires II : The pinnacle of PC gaming?

The unrestrained joy of seeing frankish knights and crossbowmen hurled to the ground by volleys of arrows is one which must affect all of humanity - at least i imagine, given my limited understanding of the world - yet few would admit to enjoying that to the level that i would. Perhaps some latent anger towards humanity or aesthetic attraction towards mass violence is hidden deep within my psyche. ( I feel this is cue for my joke: "I wanted to study Psychology at University, but i was a-freud!" Ba-doom-tish...and then when they think its over... "I tried to switch to philosophy but the administrator said 'I Kant!'")

It goes without saying that war, violence and mutilation are terrifically sad and tragic when they occur in reality, but there's clearly something appealing about it which leads to such high sales and popularity of games, film and literature on the subject. I am more guilty than most - I had a major breakdown at the end of last summer when i looked too long into a horse's face; became very upset at the plight of all the millions of beautiful and noble horses that had been slain in warfare in the past milennia, andthen went inside and probably, although i cant remember, played Age of Empires II to cheer myself up, contentedly slaughtering turkish cavalry.

Anyway, i love warfare; especially medieval warfare, and now i've got my excuses out of the way so nobody thinks i'm about to set up a band of mercenaries and take over Reading's town hall (double bluff?), i can get to my point.


The most playable strategy game of all time is 1999/2000 released Age of Empires II - Age of Kings/The Conquerors. Not its predecessor, Age of Empires, because everything feels like its moving ridiculously slowly, the priests make a sound so annoying you want to lead your empire towards aetheism, and elephants are just stupidly common (more elephants than people?). Equally, not its successor, Age of Empires three, because it forces you to actually give a fuck about america, and it complicates everything slightly too much, as if its trying to be Cossacks with an actual game engine as opposed to Russian mice prodding at things inside your PC.



No, he says, after a lengthy diversion that will be of no interest to someone who doesn't share my unhealthy obsessions, Age of Empires II is the one. To start with, I learnt most of my early history from the campaigns in this - so it provided me with a background knowledge of the hundred years war, the crusades, the formation of the Germanic Holy Roman Empire, The mongols, the huns, the aztecs... the list goes on. No need to bemoan the fact that they just MAKE STUFF UP like Valencia being rescued from the turks on El Cid's deathbed, or Harald Haadraada joining forces with William at the battle of Hastings in order to suit gameplay, that's just a minor niggle. I've been deeply, intermittently in love with this game for the last twelve years of my life, and it has been bought back into my life as stress relief for actually being an adult, which conversely has made me more of a child.



What makes this game so brilliant is absolute simplicity of commands. Even an idiot could work it; you left click to select someone, right click where you want them to go. The buttons are big, friendly,and all on screen; you dont have to remember any keys, and people generally do the right thing if you just leave them to it anyway. None of those "All of my men are trapped in an annoying bit of scenery in my assault on Jerusalem because of bad hexagons" bullshit you have to put up with when playing other games like the first AOE, Cossacks, or even the amazing Populous:the Beginning. There's plenty of opportunity to construct your empire just how you want it and at your own pace; you can fire up loads of troops and invade asia like some crazed napoleon, or you can cover your entire land in castles and then just leave it playing while you watch like a sadistic dictator while your enemies run out of resources, practically starve to death, and try to hack down your castles with their bare hands.



This isn't to say there aren't faults with it: you can generally only have 75 troops alive at any given time, which makes it hard to bring overwhelming force to bear on anyone; and the missions in the campaigns get a bit samey when you realise you have to BUILD A TOWN AND THEN KILL THEIR TOWN after some initial gimick like "Gather support among the population". (This results in you riding around rather nervously, trying to find people who like you, and its all very exciting, and then you find some people but .... THEY WANT YOU TO BUILD THEIR TOWN. And then you think, didn't i just do this in the last mission?)


However, it is a game that's endlessly adaptable. The different cultures are radically different each with their own subtly varied set of technologies and units, and i personally get a kick out of thinking of myself as a spaniard while playing as the Spanish etc., resulting in me shouting "Cono" and "Hijo de Puta" at aztec armies.
So in essence, this game is perfect for anyone whose own existance feels so minor and insignificant they harbour secret dreams of making the world pay by building castles all over it. It may not have the graphical and gameplay sophistication of Medieval: Total War and its ilk, and as a result, is slightly less exciting, but its just so well made that any scenario in it can occur, and on harder levels it really is a fight for survival. It's just tense, a lot of the time. Maybe i care too much about it. But then if i don't care about the death of frankish knights, what can i care about?

(Rhetorical question)

Sunday 13 March 2011

William-Adolphe Bouguereau - Selected paintings

Okay - so hands up here - I know this man's paintings are a bit naff and loads of them are stupidly romantic and fluffy and glossy and so on, but some of William Adolphe Bouguereau's paintings are just wonderful. So, having established i have a soft spot for them when they're probably not particularly high on "high-art" merit, let me talk you through some lovely ones. He lived approximately (and by approximately i mean without consulting wikipedia) from 1830- 1910 or something like that, and he was a huge perfectionist, specialising in painting people's faces, hands, and flesh in a hyper realistic way. And while he was often criticised for pretty much exclusively painting rustic country folk/ imagined greek nymphs, he was probably the closest that painting ever got to realistic humanity in expressions, and in physical attributes. Degas hated him, Matisse studied under him (and then later hated him) and he changed the rules of the academie francaise so his wife could get in. So all in all, a serious man...



The fifth circle of Hell ; Dante's Inferno

And I, my gaze transfixed, could see
people with angry faces in that bog,
naked, their bodies smeared with mud.

They struck each other with their hands,
their heads, their chests and feet,
and tore each other with their teeth.

Check out how resolute Virgil appears (identified by the laurel wreath), with Dante looking positively sick next to him. The flesh under the left wrestling man's fingertips is gruesomely realistic as well. If you look closely, there's also a woman accosting a man in the background. OOHH also check out the agony on the man's face on the right hand side. ( I may enjoy this painting too much)




I cant get over how realistic these two kids are. Amusingly however, this painting is called the Nut Gatherers, and unless i'm insane, aren't they holding grapes?




So this is probably what gets Bouguereau a bad press - classically influenced eroticism like this. But... well i love it. Look at the expression of the girl whose face is in focus, and the indentations on the arm of the satyr as the girl in the foreground tugs at him. And that cheeky one at the back calling over her friends to join in the fun. One could well ask what fun. tugging at a mutant? Is that fun?



She's looking after sheep; but it clearly can't be very strenous, because she looks super relaxed. Maybe I should look after sheep. Her face has got so many emotions in, but they're all vaguely calming and lovely.




This one here is Bouguereau going a bit mad. She's flying! She's wrapped in some sort of mist! It's called "Evening mood"! I haven't got a clue what its about.




In my estimation, the best has been saved til last. Adam and Eve mourn the death of their son, Abel. I have always loved the story of Cain and Abel, its really affecting, interesting and has lots of non Christian parallels. But this portrayal of the first exemplar of human grief, and the piteous way in which the bodies of the living hang in the same way as the bodies of the dead, is really wonderful.
The colours are fantastic as well - oh and look at Abel's hands. If this man was still alive, i'd try and get him to teach me to do hands.

Collision Zone - Nadine Hilbert & Gast Bouschet

These photos are actually part of a cinema exhibition at the 53rd Venice Biennale
Luxembourg Pavilion which took place in 2009. As far as i'm concerned, they're pictures about the peculiar kind of urbanism you get in hot, latin countries, whose traditional cultures are so unsuited to the model of capitalist urbanism that it provokes a kind of deep crisis - which is of course very artistically interesting. For more stuff in this vein, see the film Gomorra (2008) by Matteo Garrone, or of course, the classic Cidade de Deus (2002) by Fernando Meirelles.
The overbearing blue filters make it seem hugely oppressive, even in the bright daylight, and the compartmentalised presentation is pretty eye-catching as well. I love the graffiti at the bottom of the second picture, that bright white through the blue filter. Looks pretty sharp. Full credit to Nadine Hilbert & Gast Bouschet @ http://www.bouschet-hilbert.org/





All scenes were shot near the Strait of Gibraltar and on the shores of Sicily at nighttime, references to the animal world. Images of garbage cans and crumbling buildings are cut in with shots of satellites, boats, surveillance and geological imagery of mountains, caves dripping water and insects caught in a web.

Collision Zone, the title of our work is a term used in plate tectonics. It designates a zone where continental plates clash. Tectonics tell us that continents move and the African continent is actually moving towards the European continent. These are very slow processes and Africa moves towards Europe at the speed of 4 or 5 centimeters per year. That is the same speed as our fingernails are growing. So, one day the Mediterranean Sea will be closed and the natural border between Africa and Europe will have disappeared.

Thursday 10 March 2011

Genevieve Chua - Forest and Foxes

This photographer has taken the idea of adolescent girls as foxes and created a photoshoot which makes everything in it seem kind of naturally nocturnal and whispered, almost. Lovely stuff.






More about her here: http://www.genchua.com/

Irina Werning - Back to the Future project

These photos are incredibly inspirational; Irina Werning has tried to replicate old pictures of people as children or young adults with their older selves in the same surroundings and in the same style. The result of this is not only really beautiful, but also strangely nostalgic by association, even though you don't know these people. Fascinating!



Oscar 1978 & 2010, Buenos Aires


FLOR IN 1975 & 2010, Buenos Aires


LUCIA IN 1956 & 2010, Buenos Aires


FLOR, MALE, SIL IN 1983 & 2010


MECHI IN 1990 & 2010, Buenos Aires


PANCHO IN 1983 & 2010, Buenos Aires

Massive credit to http://irinawerning.com/bio/bio/irinawerning.com